WORKS
Works sort by year of composition
Works sort by instrument
STAGE WORK
La selva interior (The Jungle Within)
Imaginary opera for ensemble of ten instruments, six singers and prerecorded sounds, (2006-2010) 60’
RADIO OPERA
De qué modo en lo anónimo
Radio opera, (2002) 30'. Based on a text by Juan José Saer.
ENSEMBLE, 10 to 24 INSTRUMENTS
Tetexcalhuiliztli
for 14 musicians, (2017) 16'
Notturno Stuttgart
for 19 instruments, (2012) 40'
Para el encuentro en los abismos
for 24 musicians, (2003) 20’
¿Qué se llama cuanto heriza nos?
for 10 instruments, (2001) 16'
Bocanada elíptica (Elliptic Blast)
for 15 instruments, (2000) 9'
Suspended Moieties
for string orchestra, piano, and four percussionists, (1995) 10'
ENSEMBLE, 5 to 9 INSTRUMENTS
Von Ungeträumtem) geätzt
for Brass Quintet (2017) 22'
Luminous Emptiness
for seven musicians (2012) 75'
Estruendomudo (Thunderdumb)
for amplified horn, trp, trb, didjeridoo, perc, and electronics, (2000) 10'
Heterofonías
for five contrabass clarinets, (2009) 13'
Continuación de la Nada
for clarinet, violin, viola, cello and piano, (2008) 10’
Nada, nada
for eight amplified flutes, (2002) 12’
Resplandecencias de la nada
for seven instruments, (2002) 13'
El ir a qué con meta,
for 9 instruments, (1999) 12'
Pulso herido (Wounded Pulse)
for flute, oboe, clarinet, bassoon, and piano, (1996) 10'
Unwind Time
for flute, violin, cello, piano, harp and two percussionists (1994) 10’
DUETS, TRIOS & QUARTETS
Cuatro conciencias
for string quartet (2016) 11'
Dos miradas fugaces a la noche
for two bassoons (2012) 5'
Notturno
for four (or any number) musicians, (2010) 20’
Logomaquia
for trumpet, trombone, tuba, percussion and tape. Text by Nora Iuga, (2009) 14’
En la más ardua oscuridad
for bass clarinet, cello and piano, (2009) 7’
Geometrías fugitivas (Fleeting Geometries)
for bass clarinet, cello, and piano, (1998) 8'
Capas remotas II (Remote Layers II)
for two flutes and percussion, (2015) 16'
Qualia IB
for two violas, cello and tape (2011) 22'
Capas remotas (Remote Layers)
for flute and percussion, (1996) 20'
Como astros...arde
for three flutes, (1995) 12'
Siete susurros desiguales
for bass clarinet, cello, and horn, (1994) 12’
SOLO WORKS
Unterschrift
for solo piano (2019) 9’
Music for Japan
for prepared guitar (Koto-Guitar) (2019) 16’
Cartografía del viento
for flute and prerecorded flutes (2018) 7’
...while the glossy Tatarmoon climbed up to us
for solo soprano saxo and prerecorded sounds (2016) 11'
Entrañas/Descentros
for bass clarinet and prerecorded sounds (2015) 12'
..a presentes más anchos
for solo violin, (2015) 13'
Estaciones
for 12 prerecorded flutes, (2014) 15'
Lo fugaz perpetuo
for solo alto flute (2014) 7’
60!!!
for solo flute (2011) 4'
Qualia I
for solo viola and tape (2011) 18'
Qualia II
for bassoon and prerecorded sounds (2012) 8’
Agonía Grave
for solo bass voice playing a double bass. New section of La selva interior, (2009) 3’
Brut Nature
for solo baritone saxophone (2009) 9’
Polifonía concreta
for solo amplified bass flute (2008) 6'
Ondulaciones del ahora
for solo cello, (2007) 15’
Bibliografía del silencio
for solo bass flute and prerecorded flutes, (2003) 7’
Las soledades mudas del mundo (The Silent Solitude of the World)
for amplified trumpet, (2000) 8'
Aliento/Arrugas (Breath/Furrows)
for solo flute, (1998) 5'
VOCAL OR CHORAL MUSIC
En la impenetrable maraña de lo no nombrado
for 24 voices, (2010) 15’
Three Works for 6 Voices
New sections of the work La selva interior, (2009) 15’.
Rezongos (Grumbles)
for wind quintet, piano, eight voices, and bandoneon. Text by John Cage, (1998) 8'
ELECTROACOUSTIC MUSIC
La cabeza de Goliat
for solo violin, (2008) 4’
Amarillo rabioso (Rabid Yellow)
electroacoustic music, (1998) 6'
2019
Unterschrift
for solo piano, 9’
Music for Japan
for prepared guitar (Koto-Guitar), 16’
2018
Cartografía del viento
for flute and prerecorded flutes, 7’
2017
Tetexcalhuiliztli
for 14 musicians, 16'
(Von Ungeträumtem) geätzt
for Brass Quintet, 22'
2016
Cuatro conciencias
for string quartet, 11'
...while the glossy Tatarmoon climbed up to us
for solo soprano saxo and prerecorded sounds, 11'
2015
Entrañas/Descentros
for bass clarinet and prerecorded sounds, 12'
...a presentes más anchos
for solo violin, 13'
Capas remotas II (Remote Layers II)
for two flutes and percussion, 16'
2014
Estaciones
for 12 prerecorded flutes, 15'
Lo fugaz perpetuo
for solo alto flute, 7’
2012
Luminous Emptiness
for seven musicians, 75’
Notturno Stuttgart
for 19 instruments, 40’
Dos miradas fugaces a la noche
for two bassoons, 5’
Qualia II
for bassoon and prerecorded sounds, 8’
2011
60!!!
for solo flute, 4’
Qualia IB
for two violas, cello and tape, 22'
Qualia I
for solo viola and tape, 18'
2010
Notturno
for four musicians, 20’
En la impenetrable maraña de lo no nombrado
for 24 voices, 15’
2009
En la más ardua oscuridad
for bass clarinet, cello and piano, 7’
Logomaquia
for trumpet, trombone, tuba, percussion and tape. Text by Nora Iuga, 14’.
Heterofonías
for five contrabass clarinets, 13'
Three Works for 6 Voices
New sections of the work La selva interior, 15’.
Agonía Grave
for solo bass voice playing a double bass. New section of La selva interior, 3’
Brut Nature
for solo baritone saxophone, 9’
2008
Continuación de la Nada
for clarinet, violin, viola, cello and piano, 10’
La cabeza de Goliat
electroacoustic, 4’
Polifonía concreta
for solo amplified bass flute, 6'
2007
Ondulaciones del ahora
for solo cello, 15’
2006
La selva interior (The Jungle Within)
Opera for ensemble of ten instruments, soprano and prerecorded sounds, 60’
2003
Para el encuentro en los abismos
for 24 musicians, 20’
Bibliografía del silencio
for solo bass flute and prerecorded flutes, 7’
2002
De qué modo en lo anónimo
Radio opera, 30'. Based on a text by Juan José Saer.
Nada, nada
for eight amplified flutes, 12’
Resplandecencias de la nada
for seven instruments, 13'
2001
¿Qué se llama cuanto heriza nos?
for 10 instruments, 16'
2000
Estruendomudo (Thunderdumb)
for amplified horn, trp, trb, didjeridoo, perc, and electronics, 10'
Bocanada elíptica (Elliptic Blast)
for 15 instruments, 9'
Las soledades mudas del mundo (The Silent Solitude of the World)
for amplified trumpet, 8'
1999
El ir a qué con meta,
for 9 instruments, 12'
1998
Aliento /Arrugas (Breath/Furrows)
for solo flute, 5'
Geometrías fugitivas (Fleeting Geometries)
for bass clarinet, cello, and piano, 8'
Rezongos (Grumbles)
for wind quintet, piano, eight voices, and bandoneon. Text by John Cage, 8'
Amarillo rabioso (Rabid Yellow)
electroacoustic music, 6'
1996
Pulso herido (Wounded Pulse)
for flute, oboe, clarinet, bassoon, and piano, 10'
Capas remotas (Remote Layers)
for flute and percussion, 20'
1995
Suspended Moieties
for string orchestra, piano, and four percussionists, 10'
Como astros ... arde
for three flutes, 12'
1994
Unwind Time
for flute, violin, cello, piano, harp and two percussionists, 10’
Siete susurros desiguales
for bass clarinet, cello, and horn, 12’